A Text-Book of the History of Painting

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A good basic knowledge of European history is also extremely useful. The course does not require any specific prior knowledge of the History of Art, but you may like to read some of the following books before you start at Cambridge. Fleming, A World History of Art several editions. Pevsner, An Outline of European Architecture several editions. You may like to buy the following titles, which will be useful throughout the course:. Giorgio Vasari, Lives of the Artists , selected lives trans. Bull, Penguin, 2 vols. Hale ed. During the course you will study the critical approaches of past authors, many of whom offer inspiring views of the subject.

Examples include:. Mayne several eds. Berenson, The Italian Painters of the Renaissance several eds. Burckhardt, The Civilisation of the Renaissance in Italy several eds. Griselda Pollock, Vision and difference: femininity, feminism and the histories of art , London, For more information, please consult the Department of History of Art website via the link below. The Provost's Prize has been awarded to four students who have made a significant contribution to the College community.

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The Evolution of Art (and how it Shaped the Modern World)

History of Art Reading List. For prospective students We advise you to read the History of Art subject page thoroughly. For offer holders The most important preparation for History of Art at King's involves learning to train your visual memory and to develop your own critical skills. Surveys E. Gombrich, The Story of Art several editions H.

Reference books You may like to buy the following titles, which will be useful throughout the course: Giorgio Vasari, Lives of the Artists , selected lives trans. Examples include: C. K74 This guide to identifying lions, unicorns and other creatures real and fanciful in Chinese and Japanese artwork explains how these and other animal depictions were introduced to the East, and how their portrayals changed over time.

M Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself.

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How did it happen? M39 It incorporates the full range of visual media of the East Asia region to reconsider the impact Mongol culture had in China, from urban architecture and design to tomb murals and porcelain, and from calligraphy and printed paper money to stone sculpture. C63 The first book to examine the cultural role of the regional aristocracy — relatives of the emperors — in Ming dynasty China — This classic work, first published in , explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush's investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims.

Bush's perspective on Sung scholars' art and theory helps explain the emergence of literati painting as the main artistic tradition in Yuan times.

A text-book of the history of painting

Social history thus served to supplement an understanding of the evolution of artistic styles. C6 C34 James Cahill expands the field of Chinese pictorial art history, opening both scholarly studies and popular appreciation to vernacular paintings, "pictures for use and pleasure.

Traditional Chinese collectors, like present-day scholars of Chinese painting, have favored the "literati" paintings of the Chinese male elite, disparaging vernacular works, often intended as decorations or produced to mark a special occasion. Cahill challenges the dominant dogma and doctrine of the literati, showing how the vernacular images, both beautiful and appealing, strengthen our understanding of High Qing culture. They bring to light the Qing or Manchu emperors' fascination with erotic culture in the thriving cities of the Yangtze Delta and demonstrate the growth of figure painting in and around Beijing's imperial court.

They also revise our understanding of gender roles and show how Chinese artists made use of European styles. By introducing a large, rich body of works, Pictures for Use and Pleasure opens new windows on later Chinese life and society. Call Number: N C Heavily illustrated, this collection brings together carefully selected primary texts on contemporary Chinese art, arranged in chronological order.

C ]. With dozens of stunning photographs, this modern translation of a Classic text is a masterpiece of classical Chinese gardening. Ji Cheng's great work on garden design, theYuan Ye orCraft of Gardens, was originally published around and is the earliest manual of landscape gardening in the Chinese tradition. C46 Royal Gardens explores the development of Chinese imperial gardens, from the Shang dynasty to the Qing dynasty. This series presents various garden types from the perspective of contemporary landscape and garden design.

Starting from the formidable beauty of the world's most distinguished gardens, they point the way toward the essential compositional principles, the plants most commonly utilised and their most characteristic uses. The panorama of "The Chinese Garden" stretches from the surviving historical gardens all the way to such modern examples as the garden at the Bank of China in Hong Kong designed by I.

Siu ISBN: A lover of literature and art, Qinglong sought an earthly reflection of his greatness in his Yuanming Yuan. For many years he designed and directed an elaborate program of garden arrangements.

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K47 ]. Dense with winding paths, dominated by huge rock piles and buildings squeezed into small spaces, the characteristic Chinese garden is, for many foreigners, so unlike anything else as to be incomprehensible. Only on closer acquaintance does it offer up its mysteries. In these richly illustrated pages, Chinese gardens unfold as cosmic diagrams, revealing a profound and ancient view of the world and of humanity's place in it.

First sensuous impressions give way to more cerebral delights, and forms conjure unending, increasingly esoteric and mystical layers of meaning for the initiate.


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Keswick conducts us through the art and architecture, the principles and techniques of Chinese gardens, showing us their long history as the background for a civilization--the settings for China's great poets and painters, the scenes of ribald parties and peaceful contemplation, political intrigues and family festivals. Updated and expanded in this third edition, with an introduction by Alison Hardie, many new illustrations, and an updated list of gardens in China accessible to visitors, Keswick's engaging work remains unparalleled as an introduction to the Chinese garden.

F36 ]. The garden--a place for refined pleasure and spiritual relaxation--has its roots in ancient China. Western travelers from Marco Polo onward marveled at the intricacy, the elaborate buildings, the subtle design, and the assured use of plants, water, and natural materials in Chinese landscapes.

The Great Gardens of China shows, through stunning original photography and cogent text, both the visual splendors of China's finest gardens and explains their ideas and techniques in accessible terms. Beginning with an introduction to Chinese beliefs and the historical development of garden design, this book discusses the basic aesthetics and landscaping elements--architecture, rock stacking, waterscapes, plants, borders, and scenic routes--used in Chinese garden design.

The author, an expert in the history and theory of Chinese and international gardens, also describes specific gardens, from famed world cultural heritage sites like the Summer Palace in Beijing and the gardens of Suzhou--Lion Grove, Humble Administrator's, Lingering, and Master-of-Nets Gardens--to the lesser known. Suzhou, near Shanghai, is among the great garden cities of the world. The city's masterpieces of classical Chinese garden design, built from the eleventh through the nineteenth centuries, attract thousands of visitors each year and continue to influence international design.

In The Gardens of Suzhou, landscape architect and scholar Ron Henderson guides visitors through seventeen of these gardens. Suzhou's gardens were designed by scholars and intellectuals to be domestic spaces that drew upon China's rich visual and literary tradition, embedding cultural references within the landscapes. A1 B37 Can decorative objects increase one's wealth, happiness, or longevity?


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